View of Alcalá Street in Madrid
Antonio Joli (c. 1750-1754)
Piazza Navona, Rome
Caspar van WitteI (1699)
View of Seville from Triana
Anonimous (1726)
Screen of the most noble and loyal city of Mexico
Anonymous
View of Zaragoza
Juan Bautista Martínez del Mazo (1647)
Isabel's triumph (Brussels)
Denis van Alsloot (1616)
View of Granada
Civitates Orbis Terrarum, vol. 1. Georg Braun & Frans Hogenberg (1572)
Nanban screen (Japan)
Kano Naizen (c. 1600)
Domestic music scene
Museu Nacional do Azulejo. Lisboa
Market. Goa
Itinerario, voyage ofte schipvaert, van Ian Huygen van Linschoten naer de Oost ofte Portugaels Indien (1596)
A view of the Riviera di Chiaia. Naples
Gaspar van Wittel (c. 1710)
Chariot of the Common Joy (Seville)
Domingo Martínez (1748)
Vista de parte da cidade de S. Paulo do Reyno de Angola
Guilherme Paes de Menezes (1755)
Moorish dance (Granada)
Trachtenbuch. Christoph Weiditz (c. 1530-1340)
Chusco dance
Códice Trujillo del Peru o Martínez Compañón (c. 1785)
Constantinopolis
Hartmann Schedel (1493)
View of Valencia
Anton van der Wyngaerde (1563)
View of Venice from the Island of San Giorgio
Gaspare Vanvitelli (1697)
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Visit to Jerusalem (7). Pilgrims' prayers and songs at the stations of the church of …
Foundation and devotional endowment of the Chapel of San Felipe and Santiago in the Cathedral …
The documents from the Cathedral of Valencia that provide the most information about Tomás Luis …
Works by Francisco Guerrero in the Hispanic Society of America (New York).
A payment made in February 1644 shows the performance of chanzonetas (secular songs) in the convent of La Piedad during the festivities of Christmas and Corpus Christi.
The news of the repair of an organ in the convent of La Piedad indirectly documents the existence of nuns who played the organ in the convent from the first …
On the occasion of the declaration of the Virgen de los Dolores as patron saint of the Oratory of San Felipe Neri in Granada, on 18 February 1696, it was …
A payment made in November 1748 tells us that the Dominican community of the convent of La Piedad renovated the organ in their church on that date.
Between 1492 and 1523, the palace of the Marquises of Cenete stood in the upper part of the Albaicín. It must have been the scene of some musical activity performed …
The call to prayer of the müezzin, repeated five times a day, and the coranic psalmody at the mosque al-Murabitin were essential elements of the soundscape of Muslim Granada.
