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Recent Entries

The  Port of Santa Cruz de Tenerife. Leonardo Torriani (1588)
Soundscape on a galleon bound for the Indies (1573)

Eugenio Salazar de Alarcón, governor of the islands of Tenerife and La Palma, in a …

Feb. 23, 2026
Portolan Chart of the Mediterranean. Mateo Prunes (1563)
From Tripoli to Venice, fourteenth stage of Francisco Guerrero's journey to Jerusalem (1588–1589)

On 14 November 1588, Francisco Guerrero, accompanied by his pupil Francisco Sánchez, five pilgrims and …

Feb. 19, 2026
Altar of San Juan Bautista. Anonymous (c. 1390)
Foundations and endowments of the altar of San Juan Bautista (c. 1390) and La Anunciación (c. 1463) in Córdoba Cathedral

The devotional, liturgical and funerary space of the old altar of Saint John the Baptist …

Feb. 16, 2026
Cathedral of Tarazona. Photo: Alfonso de Vicente.
Documents about Tomás Luis de Victoria in the cathedral of Tarazona (1591-1601)

An inventory from 1591 lists four printed books by Victoria, in addition to a handwritten …

Feb. 12, 2026

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Domestic music in the palace of the Marquises of Cenete (1492-1523)

Juan Ruiz Jiménez
July 11, 2015

Between 1492 and 1523, the palace of the Marquises of Cenete stood in the upper part of the Albaicín. It must have been the scene of some musical activity performed …

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Call to prayer by a müezzin and coranic psalmody at the mosque al-Murabitin in Granada

Juan Ruiz Jiménez
July 11, 2015

The call to prayer of the müezzin, repeated five times a day, and the coranic psalmody at the mosque al-Murabitin were essential elements of the soundscape of Muslim Granada.

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Call to prayer by a muezzin and coranic psalmody at the mosque al-Tai'bin in Granada

Juan Ruiz Jiménez
July 11, 2015

The call to prayer of the müezzin, repeated five times a day, and the coranic psalmody at the mosque al-Tai'bin were essential elements of the soundscape of Muslim Granada.

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Call to prayer by a muezzin and coranic psalmody at the mosque or zawya of the Maharochin Granada

Juan Ruiz Jiménez
July 11, 2015

The call to prayer of the müezzin, repeated five times a day, and the coranic psalmody at the mosque or zawya of the Maharoch were essential elements of the soundscape of …

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