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General plan of Santa María la Real de Las Huelgas (Burgos) (Corpus de Arquitectura Monástica Medieval UAM, 1998). Topographical key: 1. Claustrillas; 2. Claustro de san Fernando; 3. Capilla de la Asunción; 4. Capilla de Santiago; 5. Locutorio; 6. Paso a la carrera de Santiago; 7. Carrera de Santiago
Epigraphic traces of the processional liturgy at the Abbey of Las Huelgas in Burgos

A collection of inscriptions located in the two passageways connecting the cloister of San Fernando …

Nov. 3, 2025
Chapel of San Lorenzo. Cathedral of Cordoba
Foundation and endowment of the Chapel of San Lorenzo in the Cathedral of Cordoba (1282)

The altar/chapel of San Lorenzo was founded in 1282 by Don Sebastián, archdeacon of Castro. …

Oct. 30, 2025
From Samaria to Bethsaida. <em>Descriptio et situs Terrae Sanctae alio nomine Palestina multis preclaris historys et miraculis utriusque testamenti a Christo Salvatore nobilitata</em> (1593)
From Samaria to Bethsaida. Eleventh stage of Francisco Guerrero's journey to Jerusalem (1588)

The eleventh stage took Francisco Guerrero and Francisco Sánchez from Samaria to Bethsaida, on the …

Oct. 25, 2025
Cantino planisphere –detail– (1502)
Bells for the first churches and monastic foundations in the Indies shipped from Seville (1494-1520)

Bells were one of the first objects that, along with liturgical vestments, gold and silverware, …

Oct. 18, 2025

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Rules for trumpets and jongleurs in Seville (c. 1337)

Juan Ruiz Jiménez
02-06-2016

The ordinance of the trumpets and minstrels of Seville, made c. 1337, during the reign of Alfonso XI, is the earliest legislative example of which we are aware for a …

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Giants and dragon –tarasca– (1760)

Juan Ruiz Jiménez
21-05-2016

The embellishment and configuration of the tarasca and the personalization of the giants in the Corpus Christi procession could vary from one year to another and in some occasions it …

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Altar in Bibarrambla square for the Corpus Christi procession in Granada

Juan Ruiz Jiménez
19-05-2016

The altar in the Plaza de Bibarrambla was the most prominent of the four altars that the city council paid for each year to be placed in emblematic places on …

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