A collection of inscriptions located in the two passageways connecting the cloister of San Fernando …
The altar/chapel of San Lorenzo was founded in 1282 by Don Sebastián, archdeacon of Castro. …
The eleventh stage took Francisco Guerrero and Francisco Sánchez from Samaria to Bethsaida, on the …
Bells were one of the first objects that, along with liturgical vestments, gold and silverware, …
The location of a series of Seville missals printed before 1498, in a visit to churches of the Order of Santiago in Extremadura, has allowed adding a new exemplar to …
The first organ in the Collegiate Church of El Sacromonte was probably built in Seville, with all its registers split. It was donated to this institution around 1612 by Pedro …
In 1606, the Confraternity of the Sacred Passion of Our Redeemer Jesus Christ, which had its headquarters in the convent of La Merced, joined in the public prayers that were …
The organ of the convent of San José was built in Malaga Cathedral by Aquiles Ghys in 1904 and inaugurated on 8 December of that year.
The Confraternity of the Sacred Passion of Our Redeemer Jesus Christ was established in the convent of La Merced in the second third of the 16th century. Every year this …
Johannes Lange de Löwenberg, physician to the Elector of the Palatinate, Archduke Friedrich von Wittelsbach, provides us with an extraordinary account of the dances performed by a group of Moorish …
In 1714, the Mercedarian College of San Laureano organised a solemn ternary dedicated to Saint Laureano, Saint Joseph and Our Lady of Health. Three cantadas were sung to each of …
After the disentailment of Church properties, in 1836, the priest of the parish of Santa Isabel de Huetor Tajar (Granada) requested the organ from the Mercedarian convent of Nuestra Señora …
In January 1784, the confraternity of San Pedro ad Vincula celebrated the beatification of Mariana de Jesús, a tertiary of the Mercedarian Order, in the convent of San José in …
The biography of the anchorite Francisco Velasco (Baza, 1577-Granada, 1622) allows us to approach two facets of the soundscape of Granada: domestic music and the performance of popular songs in …