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General plan of Santa María la Real de Las Huelgas (Burgos) (Corpus de Arquitectura Monástica Medieval UAM, 1998). Topographical key: 1. Claustrillas; 2. Claustro de san Fernando; 3. Capilla de la Asunción; 4. Capilla de Santiago; 5. Locutorio; 6. Paso a la carrera de Santiago; 7. Carrera de Santiago
Epigraphic traces of the processional liturgy at the Abbey of Las Huelgas in Burgos

A collection of inscriptions located in the two passageways connecting the cloister of San Fernando …

Nov. 3, 2025
Chapel of San Lorenzo. Cathedral of Cordoba
Foundation and endowment of the Chapel of San Lorenzo in the Cathedral of Cordoba (1282)

The altar/chapel of San Lorenzo was founded in 1282 by Don Sebastián, archdeacon of Castro. …

Oct. 30, 2025
From Samaria to Bethsaida. <em>Descriptio et situs Terrae Sanctae alio nomine Palestina multis preclaris historys et miraculis utriusque testamenti a Christo Salvatore nobilitata</em> (1593)
From Samaria to Bethsaida. Eleventh stage of Francisco Guerrero's journey to Jerusalem (1588)

The eleventh stage took Francisco Guerrero and Francisco Sánchez from Samaria to Bethsaida, on the …

Oct. 25, 2025
Cantino planisphere –detail– (1502)
Bells for the first churches and monastic foundations in the Indies shipped from Seville (1494-1520)

Bells were one of the first objects that, along with liturgical vestments, gold and silverware, …

Oct. 18, 2025

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Burials of Matías de la Chica in Granada (1701)

Juan Ruiz Jiménez
22-07-2018

The execution of the will of Matías de la Chica (1701), sacristan of the church of San Andrés in Granada, gives us an insight into his financial situation and the …

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Ordinance and cry of the trade of making strings of vihuelas in Granada (1541)

Juan Ruiz Jiménez
19-07-2018

The regulation “of the trade of making strings of vihuela”, contained in the Ordenanzas municipales de Granada (1552, reprinted in 1676) -title 116-, is the first printed compilation for this …

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Harpists of the San Miguel music chapel in Seville (1715)

Juan Ruiz Jiménez
14-07-2018

The presence of three harpists in the music chapel of the church of San Miguel in Seville in 1715 prompted Pedro Grande, a player of this instrument, to apply for …

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