View of Alcalá Street in Madrid
Antonio Joli (c. 1750-1754)
Piazza Navona, Rome
Caspar van WitteI (1699)
View of Seville from Triana
Anonimous (1726)
Screen of the most noble and loyal city of Mexico
Anonymous
View of Zaragoza
Juan Bautista Martínez del Mazo (1647)
Isabel's triumph (Brussels)
Denis van Alsloot (1616)
View of Granada
Civitates Orbis Terrarum, vol. 1. Georg Braun & Frans Hogenberg (1572)
Nanban screen (Japan)
Kano Naizen (c. 1600)
Domestic music scene
Museu Nacional do Azulejo. Lisboa
Market. Goa
Itinerario, voyage ofte schipvaert, van Ian Huygen van Linschoten naer de Oost ofte Portugaels Indien (1596)
A view of the Riviera di Chiaia. Naples
Gaspar van Wittel (c. 1710)
Chariot of the Common Joy (Seville)
Domingo Martínez (1748)
Vista de parte da cidade de S. Paulo do Reyno de Angola
Guilherme Paes de Menezes (1755)
Moorish dance (Granada)
Trachtenbuch. Christoph Weiditz (c. 1530-1340)
Chusco dance
Códice Trujillo del Peru o Martínez Compañón (c. 1785)
Constantinopolis
Hartmann Schedel (1493)
View of Valencia
Anton van der Wyngaerde (1563)
View of Venice from the Island of San Giorgio
Gaspare Vanvitelli (1697)
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There is news of the shipment of three printed books, plus the possibility that two …
The first mention of the feast of the Translation of Saint James the Apostle (30 …
In 1672, Juan González Ortega, a priest and beneficiado of the church of Campillos (Málaga), …
Eugenio Salazar de Alarcón, governor of the islands of Tenerife and La Palma, in a …
The ordinance of the trumpets and minstrels of Seville, made c. 1337, during the reign of Alfonso XI, is the earliest legislative example of which we are aware for a …
In the entry of King Alfonso XI into Seville (1327), we find interesting festive elements: dances accompanied by instruments, monstrous figures (in which it has been suggested a precedent of …
The embellishment and configuration of the tarasca and the personalization of the giants in the Corpus Christi procession could vary from one year to another and in some occasions it …
The altar in the Plaza de Bibarrambla was the most prominent of the four altars that the city council paid for each year to be placed in emblematic places on …
