View of Alcalá Street in Madrid
Antonio Joli (c. 1750-1754)
Piazza Navona, Rome
Caspar van WitteI (1699)
View of Seville from Triana
Anonimous (1726)
Screen of the most noble and loyal city of Mexico
Anonymous
View of Zaragoza
Juan Bautista Martínez del Mazo (1647)
Isabel's triumph (Brussels)
Denis van Alsloot (1616)
View of Granada
Civitates Orbis Terrarum, vol. 1. Georg Braun & Frans Hogenberg (1572)
Nanban screen (Japan)
Kano Naizen (c. 1600)
Domestic music scene
Museu Nacional do Azulejo. Lisboa
Market. Goa
Itinerario, voyage ofte schipvaert, van Ian Huygen van Linschoten naer de Oost ofte Portugaels Indien (1596)
A view of the Riviera di Chiaia. Naples
Gaspar van Wittel (c. 1710)
Chariot of the Common Joy (Seville)
Domingo Martínez (1748)
Vista de parte da cidade de S. Paulo do Reyno de Angola
Guilherme Paes de Menezes (1755)
Moorish dance (Granada)
Trachtenbuch. Christoph Weiditz (c. 1530-1340)
Chusco dance
Códice Trujillo del Peru o Martínez Compañón (c. 1785)
Constantinopolis
Hartmann Schedel (1493)
View of Valencia
Anton van der Wyngaerde (1563)
View of Venice from the Island of San Giorgio
Gaspare Vanvitelli (1697)
Works by Francisco Guerrero printed by Nicolas du Chemin in Paris (1565/1566).
On 28 February 1688, Sister Juana María de la Peña made her profession of vows …
At the beginning of January 1777, the organ builder Salvador Pabón y Valdés dismantled, reformed …
In the Jacobean year of 1434, the Leonese knight Suero de Quiñones obtained permission from …
The ordinance of the trumpets and minstrels of Seville, made c. 1337, during the reign of Alfonso XI, is the earliest legislative example of which we are aware for a …
In the entry of King Alfonso XI into Seville (1327), we find interesting festive elements: dances accompanied by instruments, monstrous figures (in which it has been suggested a precedent of …
The embellishment and configuration of the tarasca and the personalization of the giants in the Corpus Christi procession could vary from one year to another and in some occasions it …
The altar in the Plaza de Bibarrambla was the most prominent of the four altars that the city council paid for each year to be placed in emblematic places on …
