View of Alcalá Street in Madrid
Antonio Joli (c. 1750-1754)
Piazza Navona, Rome
Caspar van WitteI (1699)
View of Seville from Triana
Anonimous (1726)
Screen of the most noble and loyal city of Mexico
Anonymous
View of Zaragoza
Juan Bautista Martínez del Mazo (1647)
Isabel's triumph (Brussels)
Denis van Alsloot (1616)
View of Granada
Civitates Orbis Terrarum, vol. 1. Georg Braun & Frans Hogenberg (1572)
Nanban screen (Japan)
Kano Naizen (c. 1600)
Domestic music scene
Museu Nacional do Azulejo. Lisboa
Market. Goa
Itinerario, voyage ofte schipvaert, van Ian Huygen van Linschoten naer de Oost ofte Portugaels Indien (1596)
A view of the Riviera di Chiaia. Naples
Gaspar van Wittel (c. 1710)
Chariot of the Common Joy (Seville)
Domingo Martínez (1748)
Vista de parte da cidade de S. Paulo do Reyno de Angola
Guilherme Paes de Menezes (1755)
Moorish dance (Granada)
Trachtenbuch. Christoph Weiditz (c. 1530-1340)
Chusco dance
Códice Trujillo del Peru o Martínez Compañón (c. 1785)
Constantinopolis
Hartmann Schedel (1493)
View of Valencia
Anton van der Wyngaerde (1563)
View of Venice from the Island of San Giorgio
Gaspare Vanvitelli (1697)
Bernadette Nelson's study of a booklet of polyphony in the Biblioteca de la Institución Milá …
Works by Francisco Guerrero at the Library of the Institución Milá y Fontanals.
The last years of the life and professional career of Sebastián de Vivanco (d. 1622) …
Procession of the Archconfraternity of the Resurrection in Rome (1650).
The female Cistercian monastery of Santa Ana in Ávila contains a select collection of manuscripts and polyphony prints, among which is the Francisco Guerrero edition of motets in Venice 1597, …
Works by Francisco Guerrero in the Calahorra cathedral (La Rioja).
Incorporation of the wind players to the musical resources of the Burgos cathedral (1554).
The Madrid silk merchants guild organized the annual feast dedicated to its patron Saint Francis at the San Francisco convent in this city. Four single sheet prints have been preserved …
Works by Francisco Guerrero in the Baeza cathedral.
Villancicos composed for the religious profession of nuns in the convent of Santa Úrsula (1693).
Incorporation of the wind players to the musical resources of the Santiago de Compostela cathedral (1539).
Works by Francisco Guerrero in the collegiate church of Nuestra Señora de la Asunción in Pastrana (Guadalajara).
The first references to the organs in the convent of San José in Pastrana (Guadalajara).
First testimonies of the hiring of wind players in the cathedral of Oviedo (1572-1587).
