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Recent Entries

Signature of Isabel Barbosa. AHPV, protocolos notariales, leg. 803, fol. 998r
Schoolgirl musicians at the College of Doncellas Nobles in Valladolid (1596-1600)

The College of the Doncellas Nobles, also referred to as the Colegio de Daza, was …

Aug. 5, 2023
Church of San Martín (Bocaue)
Music and Ritual in the Franciscan Convents and doctrinas of the Province of San Gregorio (1726)

The Estatutos y ordenaciones de la Santa Provincia de San Gregorio de religiosos descalzos de …

July 20, 2023
<em>Breve descripción de la ciudad de Jerusalén</em> (1603) [E-PAp Mont. 6.779]
First Spanish edition of Christian van Adrichem’ Breve descripción de la ciudad de Jerusalén (1603)

First Spanish edition of Christian van Adrichem’ Breve descripción de la ciudad de Jerusalén (1603).

June 27, 2023
<em>Las finezas de Sunamitis</em>
Villancicos composed for the religious profession of nuns at the convent of Jesús María in Barcelona (1750)

Villancicos composed for the religious profession of nuns at the convent of Jesús María in …

June 27, 2023

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Salve Regina on the main door of the Alcaicería leading to the Sagrario in Granada

Juan Ruiz Jiménez
July 11, 2015

At the top of the main door of the Alcaicería leading to the Sagrario, there was a Marian image depicting the Immaculate Conception and the Assumption. Facing it, first during …

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Salve Regina on the main gate of the Alcaicería that face Zacatín street in Granada

Juan Ruiz Jiménez
July 11, 2015

The main gate of the Alcaicería, which opens onto Calle Zacatín, was one of the busiest places in the city of Granada. At the top, was a highly venerated image …

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Salve Regina on the square of the Corredores de la Lonja in Granada

Juan Ruiz Jiménez
July 11, 2015

The merchants' and comodity exchange brokers' guilds of Granada celebrated several festivals, probably Marian ones, ‘with great revelry and songs’ in front of the image of Our Lady of the …

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Guitar player in Zacatin street in Granada (c. 1550)

Juan Ruiz Jiménez
July 11, 2015

The anecdote narrated by Luis Zapata de Chaves (1526-1595) in his Miscelánea brings us closer to the “night music” heard in the streets of Granada in the mid-16th century.

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