View of Alcalá Street in Madrid
Antonio Joli (c. 1750-1754)
Piazza Navona, Rome
Caspar van WitteI (1699)
View of Seville from Triana
Anonimous (1726)
Screen of the most noble and loyal city of Mexico
Anonymous
View of Zaragoza
Juan Bautista Martínez del Mazo (1647)
Isabel's triumph (Brussels)
Denis van Alsloot (1616)
View of Granada
Civitates Orbis Terrarum, vol. 1. Georg Braun & Frans Hogenberg (1572)
Nanban screen (Japan)
Kano Naizen (c. 1600)
Domestic music scene
Museu Nacional do Azulejo. Lisboa
Market. Goa
Itinerario, voyage ofte schipvaert, van Ian Huygen van Linschoten naer de Oost ofte Portugaels Indien (1596)
A view of the Riviera di Chiaia. Naples
Gaspar van Wittel (c. 1710)
Chariot of the Common Joy (Seville)
Domingo Martínez (1748)
Vista de parte da cidade de S. Paulo do Reyno de Angola
Guilherme Paes de Menezes (1755)
Moorish dance (Granada)
Trachtenbuch. Christoph Weiditz (c. 1530-1340)
Chusco dance
Códice Trujillo del Peru o Martínez Compañón (c. 1785)
Constantinopolis
Hartmann Schedel (1493)
View of Valencia
Anton van der Wyngaerde (1563)
View of Venice from the Island of San Giorgio
Gaspare Vanvitelli (1697)
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In 1368, under the bishopric of Andrés Pérez Navarro, the dean and chapter of the …
In this article we analyse the sensory elements of an important ritual that was celebrated …
Villancicos composed for the religious profession of nuns at the convent of Nuestra Señora de …
In 1581, the organ builder Diego Liger de Sanforte travelled from Granada to Córdoba to …
Little more than his origin in Granada and his probable employment in the service of Francisco de los Cobos, secretary to Charles V, before 1526, is what we can say …
The family residence of the famous lutenist and vihuelist Luis de Guzmán was in the parish of Santa María la Mayor. His parents and sisters were buried in the Dominican …
The call to prayer of the müezzin, repeated five times a day, and the coranic psalmody at the Aljama mosque were essential elements of the soundscape of Muslim Granada.
The call to prayer by the müezzin, repeated five times a day, and the coranic psalmody in the mosque of Ibn Adabbas were essential elements of the soundscape of Muslim Seville.
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