View of Alcalá Street in Madrid
Antonio Joli (c. 1750-1754)
Piazza Navona, Rome
Caspar van WitteI (1699)
View of Seville from Triana
Anonimous (1726)
Screen of the most noble and loyal city of Mexico
Anonymous
View of Zaragoza
Juan Bautista Martínez del Mazo (1647)
Isabel's triumph (Brussels)
Denis van Alsloot (1616)
View of Granada
Civitates Orbis Terrarum, vol. 1. Georg Braun & Frans Hogenberg (1572)
Nanban screen (Japan)
Kano Naizen (c. 1600)
Domestic music scene
Museu Nacional do Azulejo. Lisboa
Market. Goa
Itinerario, voyage ofte schipvaert, van Ian Huygen van Linschoten naer de Oost ofte Portugaels Indien (1596)
A view of the Riviera di Chiaia. Naples
Gaspar van Wittel (c. 1710)
Chariot of the Common Joy (Seville)
Domingo Martínez (1748)
Vista de parte da cidade de S. Paulo do Reyno de Angola
Guilherme Paes de Menezes (1755)
Moorish dance (Granada)
Trachtenbuch. Christoph Weiditz (c. 1530-1340)
Chusco dance
Códice Trujillo del Peru o Martínez Compañón (c. 1785)
Constantinopolis
Hartmann Schedel (1493)
View of Valencia
Anton van der Wyngaerde (1563)
View of Venice from the Island of San Giorgio
Gaspare Vanvitelli (1697)
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In the decade of 1727-1737, Pedro Rabassa received in Seville several texts of villancicos from …
In 1553, the Jesuit António de Herédia left Goa, accompanied by Father Alejo Diaz and …
The College of the Doncellas Nobles, also referred to as the Colegio de Daza, was …
The Estatutos y ordenaciones de la Santa Provincia de San Gregorio de religiosos descalzos de …
The call to prayer of the müezzin, repeated five times a day, and the coranic psalmody at the mosque Ibn Gimara were essential elements of the soundscape of Muslim Granada.
The house of Juan de Arguijo (1567-1623), poet and musician, located opposite the professed house of the Society of Jesus, was the seat of one of the literary gatherings known …
The call to prayer of the müezzin, repeated five times a day, and the coranic psalmody at the mosque al-Shari’a were essential elements of the soundscape of Muslim Granada.
The call to prayer of the müezzin, repeated five times a day, and the coranic psalmody at the mosque (gima) Guindeyr were essential elements of the soundscape of Muslim Granada.
The call to prayer of the müezzin, repeated five times a day, and the coranic psalmody at the mosque of Yami al-Ahdab were essential elements of the soundscape of Muslim Granada.
